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This manually prepared antiquing ink set brings six specific historical Chinese colour references into a practical format for students and traditional writing enthusiasts. Each 6ml high white glass bottle contains a gold powder ink designed to create toning effects on paper, evoking cultural tones from Feng Qiuhuang's autumnal quality to Qingpingle's serene green. The set supports focused practice and artistic projects where authentic colour variation and antiquing are desired, using a traditional preparation method that aligns with calligraphy arts. The bottles, sealed with aluminium caps and rubber stoppers, offer a stable and reusable format for desk-based work with dipping pens.

The ink set's construction focuses on practical storage and application for traditional writing tools. Each element, from the bottle material to the seal, is chosen to support the ink's use in artistic and educational settings.
The ink is contained in high white glass bottles, providing clarity to view the colour and a stable, non-reactive storage medium. Each bottle is sealed with an aluminium screw cap fitted with an internal rubber stopper, creating a secure closure designed to maintain the ink's consistency and prevent drying or leakage. The manual preparation of the ink indicates a hands-on, traditional approach to achieving the specific gold powder antiquing effects for each of the six colour variants.
Each bottle measures 37mm in height by 20mm in width, creating a compact footprint suitable for storage on a writing desk or in a art supply case. With a 6ml capacity, the bottles contain a useable quantity of ink for multiple dipping pen sessions, though the fill level reaches approximately 5mm depth, meaning the bottles are not completely full. This size balances portability with providing enough material for practice and small projects across the six different colour tones.

The set's six distinct colour tones and gold powder formula lend themselves to specific applications within traditional and educational contexts. The manual preparation and historical references guide its most suitable uses.
For calligraphy demonstrations, traditional art projects, or cultural event displays, the set offers a curated palette of historically referenced colours. The gold powder ink can create antiquing effects on paper, suitable for producing aged-look documents, decorative scroll elements, or illustrative details where specific tonal qualities are desired. The six-bottle assortment allows for colour mixing experiments or sequential use in multi-stage artwork.
Students and hobbyists can use the inks for practising Chinese calligraphy, personal journal decoration, or creating handmade cards with a traditional aesthetic. The small bottle size and secure caps make them convenient for intermittent use at a home desk. The range of colours, from the referenced Jiangnan Song to Yan Gexing, provides options for varying projects without requiring large volumes of each ink.

The value of this ink set lies in its focused colour assortment, traditional preparation, and practical format for those engaged in specific artistic practices.
The glass bottles with aluminium caps and rubber stoppers are designed for repeated opening and closing, helping to preserve the ink between uses. The materials are chosen to minimise interaction with the ink, supporting its longevity when stored properly. The 6ml quantity in each bottle is sufficient for multiple applications, allowing users to explore each colour thoroughly across different papers and techniques.
This set provides a specifically curated assortment of six historical Chinese colour tones in a gold powder antiquing ink format, which may be less commonly available in standard stationery ranges. The manual preparation method suggests attention to traditional ink-making techniques. For students or practitioners seeking a set of inks with distinct cultural references and antiquing properties for dipping pen work, this collection offers a focused and practical option with reusable storage bottles.





